Emancipation & Liberation

Editorial from The Commune, no. 6

The jobs massacre currently taking place under the cover of recession is an attack which particularly endangers casually or precariously employed workers; furthermore, migrants are also being scapegoated for ‘stealing’ hard-to-come-by jobs.

Immigrants, many of whom are forced to leave their countries of birth by repressive regimes directly or indirectly put in place with a helping hand from British foreign policy, are expected to work long hours at low pay on casual contracts: and most of all, not to complain.

However, brave organising efforts have been mounted by many migrant workers to stand up to employers and demand basic rights: for example cleaners at university campuses or banks in the City of London demanding a living wage rather than just the legal minimum and fighting against redundancies. They are an example to the entire labour movement of how to fight back: they show the possibility of building working-class resistance to the recession. Yet as the ‘Justice for Cleaners’ episode shows unions like Unite are indifferent, or even hostile, to migrant workers. This despite the fact that for many migrants, raising your head above the parapet risks determined efforts by employers and the state to question your ‘right’ to live in the UK and therefore to weed-out troublemakers and organisers.

Recent liberal calls for an ‘amnesty’ offering ‘a pathway to citizenship’ for ‘hard-working’ illegal immigrants do not challenge this, since business interests and the state still decide who is ‘suitable’ for entry. The use of border controls to determine who may or may not live in the UK is an affront to any notion of democratic rights of the individual, and is also intimately linked with the racist idea that where you come from should determine whether you are allowed to choose to live here. Such border controls are also highly gendered, with women bearing the brunt of deportations and violence perpetrated by immigration officials.

Those who argue that migrants should not be allowed into the UK ‘for their own protection’, to stop them being exploited by unscrupulous employers, ignore the fact that hundreds of thousands of people work in the UK illegally regardless: in fact their status simply means that they are denied basic employment rights; subjected to practices such as the nonpayment of wages; and are in constant fear that their already precarious work status will be swept from under them. Borders, detention centres and deportations are a savage weapon in the hands of the bosses to control people. Capitalism needs to move the workforce around at its whim in order to mobilise it efficiently, much as the EU Posted Workers’ Directive has allowed bosses to ‘undercut’, breaking union and minimum wage agreements: the best way to fight this exploitation is not to retreat into protectionism, but rather to demand full freedom of movement and equal work conditions for all, regardless of any form of national discrimination.

As communists we are for a world without any borders or states. Opposition to all immigration controls is fundamental to the free society we envisage and the fight to build it starts now. We do not believe it to be some ‘optional extra’ to be neglected as it was by recent left electoral projects from Respect to No2EU. All workers have a common enemy in these racist, sexist, union-busting immigration controls.

Patricia Campbell reviews a crucial event in Irish history which occurred 40 years ago. This article first appeared in Fourthwrite (Summer 2009)

August 1969 was the year that transformed the face of the North forever. The civil rights marches of the previous year had launched a movement for change that the Stormont regime found impossible to cope with through normal democratic process.

Used for decades to having its every order obeyed, or at least having those who objected compelled to fall in line, the Unionist Party and its machinery of power decided to resort to the old tactic of subjugation through force. People demanding that antidemocratic practices end would be driven off the streets and battered into acquiescence – or pay a heavy price for challenging the authority of the regime. This method had worked in the past. In fact the very state had come into being through the bloody intimidation of that section of the population that had objected to its formation in the first place.

British governments in 1920/21/22 had allowed James Craig and his colleagues in the Unionist Party to use widespread sectarian violence in order to establish a 6-County state. Between July 1920 and July 1922, 453 people had been killed in Belfast, 37 members of the Crown forces and 417 civilians; 257 Catholics and 157 Protestants and two of no known religion. Of the city’s 93,000 Catholic inhabitants, 11,000 had been forced from their jobs and 23,000 driven from their homes. This was the environment in which the northern state was created.

During the early months of 1969, supporters of the unionist state had viciously attacked a series of peaceful demonstrations. A march by students in January was ambushed outside Derry and clearly identified among the attackers were numerous members of the police reserve, the ‘B’ Special. In incident after incident for the following few months, thus the level of violence increased. The RUC riot squad was responsible for a number of deaths when members of the force used their batons on civilians in Derry City, Dungiven, Co. Derry and Coalisland, Co. Tyrone.

When the Derry Citizens Defence Association (DCDA) was formed in July of 1969, it decided to organise a defence of the Bogside in order to prevent further lethal attack by the RUCC and ‘B’ Specials. The Stormont regime was unwilling to curb the activities of any of its supporters and made no attempt to prevent the Apprentice Boys parade taking place in Derry on 12 August. There was little doubt that rioting was going to break out when thousands of unionists began strutting along the city walls, reminding the inhabitants of their second class status in Northern Ireland. As the Apprentice Boys march was coming to an end the expected happened and fighting between the RUC and local residents intensified.

Unlike previous occasions, the RUC met with stiff resistance from the people of the Bogside and found it impossible to gain control of the area as the DCDA organisation proved effective. Key to the success of the defenders was their decision to occupy the high flats in the centre of the district and use is as a strong point to hurl stones and Molotov cocktails down on the advancing police below.

The struggle lasted throughout the night and into the next day and still the RUC was unable to penetrate the Bogside. Tension grew throughout the North as all sides watched the conflict develop. Nationalists and republicans were anxious to see what could be done to help the defenders while Unionism was becoming increasingly hysterical as it watched its absolute authority being challenged on the streets.

Grassroots unionism was demanding that live ammunition be used against the Bogsiders but Stormont’s cabinet knew that with the world watching so closely, it would be a gross mistake. With the situation under scrutiny, the Unionist regime understood that Britain would exact a very high price from the Belfast parliament if its police force were to be seen to carry out a Sharpville style massacre in Derry with the world’s press watching.

Under increasing siege

With the Bogsider defenders under increasing siege, word was circulated in all nationalist and republican areas that it would be necessary to organise demonstrations to take pressure off the people in Derry. Demonstrations were organised in nationalist towns across the North and RUC and ‘B’ Specials were dispatched to contain the events. In town after town these events grew increasingly violent. Police and ‘B’ Specials began to use the live ammunition that their supporters had been demanding and gunshot casualties were inflicted on nationalist civilians in several towns. In Armagh city ‘B’ specials shot and killed a Catholic civilian making his way home from a local bar.

The greatest violence, however, broke out on the night of the 14th August in Belfast. A protest march had taken place on the 13 and in its aftermath the IRA exchanged gunfire with the RUC, wounding one constable. On the night of the 14th crowds of unionists gathered in the Shankill area and other unionist districts. As daylight began to fade, shooting broke out. Desultory at first and growing in intensity as time went by. As darkness fell, the RUC sent armoured cars equipped with heavy machine guns into the lower Falls and Ardoyne firing into houses and killing several of the occupants.

As the armoured cars raced through the narrow streets they had little difficulty winning control of these districts. Once in charge, the RUC started to systematically shoot out street lighting. With the streets in darkness and the inhabitants terrified, crowds of unionist arsonists supported by off duty ‘B’ Specials started to pour into the lower Falls and Ardoyne and other nationalist areas in Belfast. IRA units in Belfast were seriously under resourced in August 1969. The republican army’s head quarters staff had taken a decision to reduce its arsenal in Belfast in order to ensure that local unit commanders would not precipitate a sectarian blood bath by undisciplined operations. The decision was well meant and had a certain logic in light of the progress of the civil rights movement but in the context of Northern Irish reality it was a mistaken and naive judgement.

Badly outnumbered they put up a spirited resistance to the counter revolutionary assault and joined by veteran members of the organisation prevented a much greater amount of damage being inflicted on the nationalist community.

It was nevertheless, beyond doubt that the nationalist communities in the Falls and Ardoyne areas had suffered greatly with a huge number of homes burned out and many families driven from their property. The trauma was enormous and evoked memories of the worst days of the 1920s. Within days efforts were being made to find arms and to organise military defence of these districts. The IRAwas to split over the issue and in practice this period signalled the end of peaceful, non-insurrectionary protest.

The British government sent troops into Derry and Belfast but refused to curb the powers of the Stormont regime. In time it became obvious that London had little interest in radically reforming Northern Ireland and the Home Secretary of the time, Jim Callaghan, told nationalist politicians that theycould have ‘reform’ but it had to happen within the parameters of a Stormont regime. This dictate of ‘any colour you like so long as it’s orange’ was to ensure that the very existence of the state had to be challenged if change was to occur and that is exactly what was to happen. Nothing was the same after August 1969. The Orange state was in free-fall.

JM Thorn, Socialist Democracy (Ireland) analyses the defeat of the Irish Left in the second Lisbon Treaty referendum.

The Lisbon Treaty was passed on October 2nd, overturning its rejection by the Irish people in June 2008.

The margin of victory was emphatic – the ‘Yes’ vote winning by a majority of 67 percent of voters to 33 percent. Turnout was 58 percent, up from last year’s 53.1 per cent. A total of 1,214,268 people, or 38.8 per cent of the total electorate, voted Yes, while 594,606, or 19 per cent, of the electorate voted No. There was a yes vote in 41 out of 43 constituencies. Large ‘Yes’ majorities, over 80 percent, were recorded in Dublin and nearby Dun Laoghaire, while only rural Donegal voted ‘No’. There was a swing in favour of the treaty from last year, when it was rejected by 53 to 46 percent, of around 20 per cent. In all, there were almost half-a-million extra ‘Yes’ votes in this poll – a clear indication that the endorsement for the treaty was down to a change of opinion rather than a change in turnout.

So why was there such a dramatic turnaround in public opinion? One explanation lies in the efforts of the ‘Yes’ campaign this time round, when a whole array of organisations and individuals were mobilised to support the treaty. This coalition ranged from the European Commission, political parties, the media, business groups and individual companies, trade union officials, the hierarchies of the churches and various celebrities. It represented social partnership at its broadest and the determined effort of what could be described as “the establishment” to ensure a ‘Yes’ vote this time round. They simply came back with a better organised campaign and spent more money in pursuit of the result they want.

Reasons for defeat

Some in the ‘No’ camp have blamed the imbalance in the resources available to each side as the main reason for their defeat. But this is not really convincing. It has always been the case that pro-EU forces in Ireland have had these advantages. Indeed, it was the case in last year’s referendum in which the Treaty was rejected. What made the critical difference this time was not the better organisation or greater resources of the ‘Yes’ campaign but the changed circumstances in which the vote took place. Since the last referendum in June 2008 Ireland has suffered an unprecedented economic collapse. The economy has contracted by almost ten per cent, the banking system has failed, unemployment has doubled and public finances have deteriorated rapidly. What this crisis has done is to expose Ireland’s economic vulnerability and also its dependency on external forces, whether that is foreign capital or the EU.

There was therefore a ‘fear factor’ at work that the ‘Yes’ campaign played upon to win support for the Treaty. The argument was that Ireland needed the EU in order to revive its economy and shield it from the worst of the recession. This was the main thrust of the ‘Yes’ campaign, with slogans such as “Yes for Jobs” and “Yes for Recovery”. The fear, or the threat, behind such claims was that rejection of the Treaty would leave Ireland isolated, ruined and on the margins of Europe.

This argument is a false one. Indeed, it could be argued that the policies of the EU, particularly on the euro and low interests rates, were in part responsible for Ireland’s economic crash. It could also be argued that the EU is in part driving the cuts agenda with its budget deficit rules for euro members. The EU is also playing a key role in the bail out of the banks. These are counters to the idea that the Irish people are being saved by the EU. But they weren’t made by the ‘No’ campaign.

The clear message of the ‘Yes’ campaign contrasted to the disparate and conflicting messages coming from the ‘No’ side. This in part is a result of the hodgepodge of political groups that made up the ‘No’ campaign. These ranged from the Catholic right, in the form of Cóir, to the left in the form of the Socialist Party and SWP. A much weaker element of the ‘No’ side this time was the neo-liberal strand represented the Declan Ganley’s Libertas. It had been weakened by the general retreat of neo-liberalism in the face of the economic crisis and the adoption of interventionist policies by Governments across the EU. Indeed, its involvement this time helped the ‘Yes’ side play up the supposedly progressive side of the EU – contrasting the harshness of the extreme liberal position with the more statist approach of the EU.

Given the weakness of Libertas this time round, the strongest element on the ‘No’ side was the left. There was a good opportunity to run a ‘No’ campaign that was explicitly socialist and orientated towards the working class. Unfortunately that opportunity was spurned. The SWP and Socialist Party ran campaigns which opposed various pro-market aspects of Lisbon, as well as steps towards greater militarism, but articulated no fundamental opposition to the EU as a capitalist institution and offered no political alternative other than to echo aspects of the rhetoric of the nationalist right.

Concession towards nationalism

The tilt towards nationalism was expressed most clearly by the Communist Party with its declaration that a ‘No’ vote was the work of “true patriots”. The concession towards nationalism was also reflected by the inclusion of Sinn Fein in the broad left campaign despite that party’s ambiguous position on the EU. In the second referendum Sinn Fein merely called for a “better deal” for Ireland. Ironically, it was left to Cóir to raise any issues that related to the working class. One of the most effective posters in the campaign was the one they produced on the minimum wage.

The only organization to offer any left political message was the Socialist Party, and that fell far short of what was promised. On election to the European parliament Joe Higgins had promised to build a socialist campaign. In reality he followed the sectarian history of his organization, joining the distinctly unsocialist broad campaign and presenting his own organization as the socialist campaign.

Any hopes that the left would learn anything from the debacle were dispelled when Kieran Allen of the Socialist Workers Party appeared on a special edition of the Vincent Browne show on RTE (Irish state television channel). The vote had been lost because the corporate establishment had united. There was establishment press bias, undemocratic intervention by Ryanair and IBEC who provoked a scare about jobs and brought in the issue of Europe in general instead of sticking to the details of the treaty. The main issue to arise from the campaign was the need for a party to represent the 30% who had voted ‘No’.

So we lost because the bosses united against us. In that case socialism is doomed – when will the conditions arise when they don’t unite against us? The bosses made a political case around jobs and the economy – a killer blow when our strategy was to avoid politics!

Allen’s final comment gives the game away -that we need a party to represent the 30% who said ‘No’. There is no doubt that we desperately need a working class party in Ireland. There is no doubt but that the nucleus of that party is to be found in the people who said ‘No’. The task of Socialists is to separate out those who voted for their class from the ex-republicans and Catholic right-wingers also in that vote. As long as Kieran Allen and other leftists pursue the apolitical opportunist and electoralist numbers game they will be an obstacle to a new party of the working class rather than facilitators of it.

The ‘Yes’ vote on Lisbon will give a boost to the government as it presses ahead with another cost cutting budget and the establishment of the National Assets Management Agency. The same arguments that were made so effectively for Lisbon can be made for these. However, that will be more difficult, as unlike Lisbon there are disputes between the political parties and within the capitalist class on how to proceed. These divisions at the top of society provide an opportunity for a working class opposition to emerge. Indeed, despite the disappointment of the Lisbon vote, it did reveal the existence of a solid core of the populace, who despite threats and coercion rejected the will of the political establishment by voting ‘No’. It is also the case that this ‘No’ vote was largely concentrated in the working class and the most marginalised sections of society. The ‘No’ vote was a class vote; the problem was that it was not a class-conscious vote.

This summarises the problem faced by the Irish working class – that it doesn’t have its own independent programme. It isn’t helped by groups proclaiming themselves socialist failing to advance one, but instead adapting to reactionary ideas. This was the story of the Lisbon campaign. While putting forward an explicitly socialist programme would not have produced a bigger ‘No’ vote, it would have been a better vote and would have better prepared a section of the working class for the struggles that are to come.

We assess the politics behind the SNP government’s proposed independence referendum and its likelihood of success.

Megrahi, behind-the-scenes deals and the ‘liberal’ US onslaught

Political developments in Scotland are hotting-up in the aftermath of the decision by Kenny MacAskill, the SNP’s Justice Minister, to release Abdelbaset Ali-Mohamed al-Megrahi, the so-called Libyan bomber,on compassionate grounds.

Whatever the undisclosed background negotiations behind this move, involving New Labour at Westminster and SNP at Holyrood, the political fallout has been considerable. Earlier negotiations between the British and Libyan government, involving Tony Blair and Jack Straw, had strongly implied a prisoner transfer agreement. Megrahi would finish his sentence in Libya, in return for BP oil concessions. The Scottish government thwarted this. It denied any right to the British government to interfere with the decision taken by the Scottish judiciary, which had been given original responsibility for Megrahi’s trial, held at Camp Zeist in the Netherlands, in 2000-1.

What has become abundantly clear is that Gordon Brown and Lord Mandelson wanted Megrahi released before his death, to ensure that British corporate interests in Libya weren’t jeopardised if he died in a British jail. MacAskill’s willingness to take responsibility for Megrahi’s release was an added bonus for the New Labour-led British government. It meant that the SNP-led Scottish government could take all the blame, when the right wing press, both in Britain and the US, orchestrated the howls of outrage about ‘weakness’ in the face of terrorism.

It is possible that the SNP leadership thought that, with Barack Obama as President, the new US Democrat government would welcome MacAskill’s compassionate approach. After all Obama had personally given an undertaking to the Moslem world in Cairo on June 4th that he represented a new type of American leader. However, as the continuing war in Afghanistan (and now Pakistan), the continued build up of pressure on Iran, and the US’s failure to discipline Netanyahu in the face of continued Israeli settlements on the West Bank demonstrate, Obama is only trying to re-brand US imperialism, not challenge it.

So ‘liberal’ Obama, Hilary Clinton, and the late Ted Kennedy, led the attack on the Scottish government. Meanwhile, the rabid American Right soon ended any delusions about the longstanding affectionate ties between Scotland and the US. In their eyes, Scotland replaced France as the country all ‘good American’s love to hate. Only now it is the Scots who are ‘haggis-eating surrender monkeys’. Back in Scotland, the British unionist parties, New Labour, Conservative and Lib-Dem, characteristically decided to echo the sentiments emanating from the US. They launched an attack on the Scottish government and the nationalist SNP.

The SNP recovers from the attacks and announces its independence referendum

The SNP has been trying for years to win the approval of corporate America, with the prospect of low business taxation and the attempted cultivation of Scottish-American business figures and politicians. Donald Trump, the dodgy property speculator, has been assiduously wooed. Therefore, defending MacAskill’s decision in the face of blatant US imperial pressure did not come easily to the SNP leadership, particularly after the display of Scottish saltires being waved at Tripoli’s airport, welcoming Megrahi upon his return. After all, MacAskill still insisted that heacted solely on compassionate grounds, and that he upheld the Scottish court’s extremely dubious decision that Megrahi was guilty. MacAskill didn’t want to tread on the toes of the Scottish legal establishment.

Early opinion polls seemed to indicate that MacAskill was indeed isolated. However, the Church of Scotland, followed by the Roman Catholic Church in Scotland, gave their public backing to MacAskill. Whilst this was undoubtedly embarrassing to sections of the unionist alliance, it was the decision of Nelson Mandela to support MacAskill that turned the tables. Within days, support for MacAskill’s decision had risen to 45% in Scotland.

Sensing a possible drubbing in any Scottish General Election their actions might precipitate, the unionist opposition retreated from a vote of ‘No confidence’ in MacAskill at Holyrood. They settled for a motion condemning the Scottish government’s handling of the affair. Although the unionist parties have an overall majority in Holyrood, their alliance began to break up. Former Scottish Labour Ministers, Henry McLeish and Malcolm Chisholm, backed MacAskill, and the Conservatives decided to switch the focus of attention to Gordon Brown and Westminster Government involvement in Megrahi’s release.

It was in this context that the SNP Government announced next year’s legislative programme on September 3rd, with its proposal for a referendum on Scottish independence given flagship status. Now the unionist parties can kill this off at the first hurdle, by using their majority to vote down any such bill in Holyrood. Scottish First Minister and SNP leader, Alex Salmond well knows this, but has likely calculated on there being a British Conservative Government under David Cameron next year. This could place the SNP in a good position before the next Holyrood General Election in 2011, especially with an impotent New Labour in ‘opposition’ at Westminster.

The November 12th Glasgow North East by-election

However, a more immediate by-election battle is taking place in Glasgow North East on November 12th, after the resignation of the disgraced Westminster Speaker, Michael Martin. With the SNP not wanting to be portrayed as the ‘Orange’ party (Labour’s main accusation against it, when it stood against Scottish party leader, Helen Liddell, in the notorious Monklands East by-election in 1994) their leadership is taking no chances. It has adopted David Kerr as candidate. He is a member of Opus Dei!

Glasgow City Council is one of the few Scottish councils still under Labour control, so the SNP cannot so easily be held responsible for the type of unpopular local policies, which contributed to their surprise defeat in the Glenrothes by-election last November. So, Labour has now switched its focus to an alleged SNP bias against Glasgow city, highlighted by the Scottish Government’s decision to cancel the planned Glasgow airport rail link.

The SNP strategy of trying to appeal to all Scots, regardless of class, has also come unstuck. The introduction of new local service charges for pensioners in Fife was just one indicator of where the SNP’s real loyalties lie. In Edinburgh they share responsibility with the Lib-Dems for the council’s attempt to impose draconian pay cuts on refuse disposal workers, with the threat of privatisation looming. In West Dunbartonshire, they have suspended SSP councillor, Jim Bollan, for nine months, for his tireless commitment to working class communities.

The long honeymoon, enjoyed by the current SNP government, is now under strain. The SNP is wedded to a neo-liberal economic model, which once placedfailed corporations such as the Royal Bank of Scotland in the driving seat of their proposed new Scottish economy, and lauded the successes of the Irish ‘Celtic Tiger’. Today, the SNP meekly accepts its role in administering the Westminster government’s measures to deal with the current crisis – massive public spending cuts to bail out the bankers.

The Scottish government has also frozen council taxes now for three years. This further contributes to the squeeze on social spending. Added to all this, the full consequences of the SNP’s fawning before Trump, means that the Scottish government looks prepared to back a compulsory purchase order to evict residents from their homes in Aberdeenshire to make way for Trump’s new golf course and leisure complex –the new Clearances.

The build-up of reactionary forces and the divided Left

Although the prime press interest in Glasgow North East will be the battle between New Labour and the SNP, there will be other significant political struggles going on. In the last election here, the Conservatives did not field a candidate, following the mainstream parties’ convention of not standing against the Speaker. This left the way open for the Scottish Unionists to stand. They represent that traditional Orange wing, abandoned by the Conservatives, when the party broke their link with the Ulster Unionist Party in the 1970’s. David Cameron has recently reforged that alliance. Official British Conservative backing for a Protestant unionist party in ‘the Six Counties’ will have knock on effects in Glasgow, where sectarian divisions still exist.

However, the Orange Order in Scotland is still not prepared to throw its weight fully behind the Tories. GrandMaster, Ian Wilson, has said the Order will be backing the Labour Party, wherever they are best placed to defeat the SNP in elections. Labour remains Scotland’s premier Unionist party.

Both the previous New Labour/Lib-Dem and current SNP Scottish governments at Holyrood have promoted a bureaucratic and moralistic campaign against sectarianism in Scotland, based on the false notion that there is a ‘war between two tribes’, Protestant and Catholic or, sometimes more simply, between Rangers and Celtic. The real underlying issue is support for, or opposition to, the British occupation of part of Ireland. One of the aims of this official ‘anti-sectarian’ campaign is to cutback on the many Orange Order and the handful of Irish Republican marches held in Scotland’s Central Belt. This will become a focus of opposition for hard line loyalists. There is also the planned provocation in Glasgow, organised by the fascist Islamophobic English Defence League’s satellite organisation, the ‘Scottish Defence League’ (SDL), on November 14th.

The BNP are standing in the Glasgow North East by-election. They would love to have the sort of clout that loyalists in ‘the Six Counties’ demonstrated, when the PSNI meekly bowed before their intimidation of Roma families in Belfast. Furthermore, despite BNP denials, there is obviously an overlap between BNP and EDL/‘SDLBNP. Like the loyalists in ‘the Six Counties’, they have shown a growing admiration for the apartheid state of Israel and its brutal methods. So, it is only an inner hard core of Nazi ‘Sieg Heiling’, swastika worshippers that cling on to the old anti-semitism. The majority of Union Jack waving fascists find plenty to celebrate in the history of British unionism and imperialism.

Furthermore, there are other nasty links being forged. The mainstream, usually socially liberal, Church of Scotland is under growing attack by the reactionary Fellowship of Confessing Churches (FCC), with 45 parishes threatening to break away, unless the Church publicly condemns homosexuality. The FCC is backed by Sam Cole, DUP councillor and Orange Lodge chaplain, along with Maurice Bradley, former mayor of Coleraine, Danny Kennedy, Ulster Unionist depute leader, Sir David McNee, former Chief Constable of Strathclyde, and a hundred members of the ultra-conservative Presbyterian Church of America, which also opposes the ordination of women ministers.

Tragically, the Left today is divided in Scotland. In the last Glasgow North East election, the SSP easily defeated both the Scottish Unionists and the BNP, although Arthur Scargill’s Socialist Labour Party (SLP) was able to do better still and get 14% of the vote, in the confusion caused by the absence of an official Labour candidate, with Michael Martin standing solely as the Speaker. The SLP has left no organisation on the ground and is, in effect, now only one man’s vanity party.

The concern now is that, with a Left split between the SSP, Solidarity/Tommy Sheridan party and the SLP, the BNP’s vote could overtake the Socialist vote. Whilst Sheridan will cultivate the celebrity vote, he faces competition from John Smeaton, the ‘people’s hero’. Meanwhile, John Swinburne, the ex-MSP, from the Scottish Senior Citizens Unity Party, and Mikey Hughes, former Big Brother runner-up, campaigning for the disabled, are also standing. More worrying than any likely BNP vote in itself, would be the opportunity this could provide them to become the ‘shock troops’ of hard right unionism in Scotland, at a time when the issue of Scottish independence is coming to the fore.

When Nick Griffin visited Scotland on October 28th, he said he supported a referendum for Scottish independence. However, he made it quite clear that the BNP would strongly oppose those campaigning for a ‘Yes’ vote. He is lining himself up with ultra unionists like the Tory, Michael Forsyth, and New Labour’s Wendy Alexander, who also want a referendum campaign to see off any threat of Scottish independence for the foreseeable future. You can rest assured, whatever differences they still have, that these ultra-unionists don’t intend to confine their opposition to polite democratic debate – and the BNP are signalling that their services can be called upon to defend the Union.

The SNP unprepared for the British state counter-attack – a socialist republican and ‘internationalism from below’ approach needed

The SNP remains a thoroughly constitutionalist party, and has indicated, by its recently declared support for the British monarchy, its complete willingness to play politics by Westminster rules. The problem is, that the British ruling class only play be these rules when it suits them. When their state is under threat, both Conservative and Labour governments have shown their preparedness to utilise the antidemocratic Crown Powers to thwart any challenges, as any Republican living in Ireland can testify. If necessary, they would not be averse to covertly encouraging British loyalists, as the British state’s continued financial support for their organisations in ‘the Six Counties’ demonstrates.

Furthermore, the SNP’s complete lack of appreciation of the continued imperial role of British troops in the world is highlighted by its continued support for the British Army’s Scottish regiments. SNP Westminster defence spokesperson, Angus Robertson, has announced that ‘English’ troops would be welcome to remain in Scotland after ‘independence’. It probably won’t be long before the SNP retreats further to accommodate US imperialism. They could settle for Scotland being removed from the NATO frontline to become a ‘supporting’ state within NATO’s Orwellian renamed second tier, ‘The Partnership for Peace’. NATO bases in Scotland would still remain available for imperial use.

Scotland, with its North Sea Oil, and its numerous British and NATO military bases, is far more central to ruling class interests, than ‘the Six Counties’. It is unlikely that the British state will just wait until the Scottish independence referendum bill comes to Holyrood. US and British security services are probably preparing a strategy, using both official and unofficial forces, to marginalise the threat of the break-up of the UK and the potential loss of NATO bases.

Although there is no deep-seated tradition of independent republican organisations in Scotland, there is nevertheless widespread popular support for a Scottish Republic. Furthermore, this is strongly linked to support for public services provided on the basis of need, and opposition to British and American imperial wars. A vote for the SNP has sometimes expressed this feeling in a sentimental way. As the SNP moves further to the Right such support is becoming as undeserved as a vote for Labour from those hoping to improve their lives.

It is the job of socialist republicans to organise such sentiments in an effective way, by linking everyday struggles, such as the ‘Save Our Schools’ campaign in Glasgow today, with the demand for a Scottish Republic tomorrow, when the SNP independence referendum comes up against British unionist intransigence. Only the SSP links its support for independence with opposition to all imperialist wars, whether or not they are sanctioned by the UN – a thoroughly undemocratic body, which is nothing other than a plaything of the imperial powers. In contrast, the SNP stance on the ongoing US/British war in Afghanistan has been profoundly ambiguous.

Since the British state and its Irish government allies coordinate their actions through the ‘Peace Process’ and Devolution-all-round; and both the British and Scottish TUCs and the Irish CTU promote ‘social partnerships’, which subordinate workers’ interests to those of the bosses; whilst the BNP and loyalists are trying to cement links ‘across the border’ and ‘across the water’, it becomes all the more imperative that Socialists in these islands organise ourselves on the basis of ‘internationalism from below’ to more effectively promote working class interests throughout these islands. We need to build on the success of last year’s Republican Socialist Convention.

Issue 18 of Emancipation & Liberation is out now.

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Comments are open, so until articles are online, feel free to discuss the articles below. When they are online you can discuss the article in it’s comment section.

• Editorial: Can the SNP deliver Independence?, RCN
• Lisbon Treaty passed in second referendum, JM Thorn
• August 1969, Patricia Campbell
• Migrant Workers are at the heart of our fightback, The Commune
• Highland migrant workers, Bill Scott
• History and Resistance: The rise of Latin America’s indigenous movements, Ewan Robertson
• Portugal’s Left Bloc consolidates its gains, Raphie de Santos
• Afghan women bear the brunt of the hypocritical war on terror, RAWA
• Iran after the elections – an interview with Yassamine Mather, Anne McShane
• Solidarity with Scottish PSC action, International Jewish Anti-Zionist Network
• It was the worst of times, it was the best of us!, Rod MacGregor
• Book review: A Celebration of the Life & Times of Robert Burns and What Burns means to me, Mary McGregor
• Book review: Out of Eden – the Peopling of the World, Richard Abernethy
• Savings in the Down-Turn, Jim Aitken
• An unrepentant revolutionist, Jim Slaven
• The Legacy of James Connolly – an interview with Jim Slaven, Allan Armstrong

Colin Fox speaks to Allan Armstrong about the vision and mission of the Edinburgh People’s Festival

What made you revive the Edinburgh Peoples Festival after almost 50 years?

We didn’t start off with the intention of reviving the Edinburgh Peoples Festival (EPF). At Hamish Henderson’s funeral in 2002, a group of us, including Bill Scott, Karen Douglas and Craig Maclean, started to discuss Hamish’s achievements. This was the man after all who had formally accepted the Italian surrender in the Second World War, first translated Gramsci into English, was the driving influence behind the Scottish folk revival, wrote Freedom Come All Ye and the John Maclean March, a working class intellectual and the man who founded the Edinburgh People’s Festival in 1951.

Years before I had come across an essay Hamish had written on the significance of the Edinburgh People’s Festival in Andrew Croft’s book Weapons in the Struggle, and it was a real eye-opener for me.

So, a group of us decided to organise a one-off event to commemorate Hamish and his contribution to our struggle. We opted to have it at the Jack Kane Centre in Craigmillar for several reasons. One, Councillor Jack Kane had been the original Chairman of the EPF back in the 1950’s. Two, Craigmillar, on the city’s southern outskirts is Edinburgh’s poorest district and the Edinburgh Festival itself never went beyond EH1. We also had good community activists in the area we could rely on to publicise and promote the show. Things just escalated from there.

I guess looking back we recognised the importance of the original People’s Festival in acting as a foil or critique of the Edinburgh Festival itself. It has never really been designed for the majority of the city’s people. Ticket prices are now disgracefully high. Local indigenous performers will find it difficult to find a stage or platform and are shunted away for the month.

Where does most of the support for the EPF come from?

We found our original support in Craigmillar where we quickly got the backing of lots of local community groups, like the Craigmillar Artspace. We also learned quick lessons. We put on Bill Douglas’s film, My Ain Folk in the Newcraighall Miners’ Welfare without realising that, although people dearly loved Bill, they felt his depiction of their village rather dismal. Nonetheless the area is proud to have produced such talented people. At the last count we have presented shows in 20 different communities throughout the city and Midlothian.

Beyond local support, the EPF has received backing from the organised active Left. Tommy Shepard, who runs The Stand Comedy Club has been a fantastic help. Support has also come from local playwrights Cecilia Grainger and Barry Fowler, and from many key artistic community development groups in Wester Hailes and North Edinburgh.

Local trade union branches have been key to our financial success. It has been their support that has enabled us to take performances to the local communities and always keep tickets at affordable prices. [We usually charge £2 when the performances and events are not entirely free]. We are indebted to Unison healthworkers, posties, railworkers, teachers, firefighters, railway workers and civil servants unions. They have been very generous, partly, as I remind them, because they haven’t been giving out much strike pay over the last eight years!

As a socialist, why do you see it important to promote popular culture?

Art and culture can be thoroughly inspiring and educational. In Gramsci’s writings you can see the blueprint which led the Italian Communist Party to have one million members in the early 1970’s.

My partner, Zillah and I, attended a festival in France in the late ‘80s organised by the French Trotskyist party Lutte Ouvrier (LO). We were amazed to see 30,000 people there in the grounds of a chateau just outside Paris being entertained and enjoying themselves on an array of attractions. Festivals like these are still common on the left in France, Italy and Spain, bringing together tens or even hundreds of thousands of people. It became clear to me that much of the mass support for socialism on the continent, came not so much through public and party meetings, but because of the wider cultural activities of the Communist Parties and groups like the LO.

The French Communist Party’s L’Humanite by all accounts attracts hundreds of thousands of people.

In Britain we have had Miners’ Galas, May Days, and more recently the Tolpuddle Martyrs celebration. In the 1980’s, when I was in the Militant we used to organise huge political and cultural events in the Royal Albert Hall, Alexandra Palace and the Wembley Arena with 8000 people. They were brilliant. I have to admit that I enjoyed those performances with groups like the Who, Billy Bragg, Red Wedge, Paul Weller and Skint Video more than the Conferences. Truth be told, I probably still do!

In your opinion, what have been the highlights of the EPF so far?

There are very many that spring to mind. Perhaps the earliest is the EPF’s ‘discovery’ of David Sneddon, who we found busking on Chambers Street. We got him to perform at the Jack Kane Centre that first year with his group, The Martians and people were really bowled over by him. A few weeks later, I remember, Alan McCombes phoned me and told me to switch on the TV. His daughters had been at the Jack Kane Centre and were telling him that David Sneddon had just won the BBC’s first Fame Academy! The press were all over us for photographs of him at his first public performance, in Craigmillar.

We also had Nancy Cartwright, the voice of Bart Simpson. We cheekily phoned her up and asked if she would perform at our show Bart Comes to the Simpsons. All the kids in Edinburgh are born at the Simpsons Maternity! She was terrific about the whole thing and the show was just a fantastic success.

We also took the comedian, Mark Thomas, and Paddy Hill of the Birmingham Six into Saughton Prison for a show. Originally, it had been agreed that STV would film the event but the governor pulled the plug. The show went on without the cameras and the guys inside thought it was brilliant. They were all over Paddy Hill at the end. We have been back ‘inside’ just about every year since.

We had a line up in 2003 for a cultural debate, or ‘flyting’, which looking back was quite unequalled anywhere in Edinburgh since.

Whose Culture is it anyway? starred Paul Gudgeon, then Director of the Fringe, the irrepressible Richard Demarco, Tommy Shepard, actor Tam Dean Burn, Joy Hendry the publisher, Kevin Williamson, the late Angus Calder and Claire Fox from the Institute of Ideas. They were all going at it hell for leather with poor Sian Fiddimore from Wester Hailes desperately trying to keep it all in order.

Last year, we launched the first of what will become the Annual Hamish Henderson Memorial Talks. It was given by Hamish’s biographer, Timothy Neat. And that went very well, certainly one of our highlights – and I think our first sell out event!

The exhibition we mounted, in the Craigmillar Arts Space, telling the story of the Edinburgh People’s Festivals from 1951 is just excellent. It was subsequently shown last November at Wordpower’s Radical Book fair at the Out of the Blue Art Centre in Leith. It is currently on show at the Jack Kane Centre before it goes off on tour.

With trade union financial backing, we also organised a local Art Competition last year, with £1000 in prize money. This was a great success too and a foray into a new field for us.

Richard Demarco, one of the leading figures associated with the Edinburgh Fringe, has given the EPF considerable encouragement. Do you see this as a sign of wider recognition for the EPF?

Richard Demarco is the only person who has been to every Edinburgh Festival. He has been responsible for bringing over many artists to Edinburgh, including from Eastern Europe, when it was unfashionable to do so. Despite Demarco’s centrality to the Festival and the Fringe he has always been an outsider. He remains driven by a passion for the arts and his effervescence is infectious. He has given the EPF a helluva lot of encouragement. He made a typically passionate contribution to the debate we organised at Out of the Blue in August 2007, on the future of art in an independent Scotland. Elaine C. Smith also spoke in similar vein.

But the truth is the People’s Festival has been treated with complete disdain by the Edinburgh establishment and its media, including the local Evening News. Bourgeois commentators have turned their noses up at the popular culture we offer. Nevertheless, they have grudgingly been forced to recognise our innovative approach on a number of occasions.

The People’s Festival has begun to organise events outside the traditional Edinburgh Festival slot. Why did you decide to organise a celebration of the 90th Anniversary of the Russian Revolution for example?

People have often said that, even if with some exaggeration, that Edinburgh is a cultural desert outside the official Festival in August. The People’s Festival decided to ‘cash in’, if I dare utter the term, on the fact we are here the whole year round. And since we had grown considerably we felt that it was time to try and extend our activities beyond August.

The opportunity came then in 2007, with the 90th anniversary of the Russian Revolution, an event I believe is the greatest of the twentieth century. Others in the People’s Festival saw the possibilities so I approached Trevor Griffiths, the scriptwriter for the film, Reds, and asked him to come up and celebrate the occasion with us. In the interview he did with me at the event in The Stand, Trevor explained that in fact he was the fifth person chosen by Warren Beattie to write the script. Beattie had bought the film rights to John Reed’s classic, Ten Days That Shook The World. Tommy Shepard offered us The Stand for the event on a night in October. The comedian, Paul Sneddon (aka Vladimir McTavish) and Alistair Hulett’s folk group, the Malkies, performed alongside the Oscar nominated Trevor Griffiths. It was quite a night!

We also worked with Edinburgh’s excellent Word Power bookshop to produce the pamphlet, What the Russian Revolution Means To Me. Word Power is are markable resource. Elaine Henry and Tarlochan Gupta-Aura do a great job in sustaining a radical bookshop, when most other left bookshops have disappeared.

The following January, the EPF took on the organisation of an alternative Burns Supper. For the previous decade, this responsibility had been successfully taken on by the SSA/SSP, but it was good to broaden it out. The radical and controversial Burns scholar, Patrick Scott Hogg, spoke, whilst comedian Bruce Morton performed. People even came from as far away as Dublin to attend that one – seeing it advertised on our website!

This January the EPF organised a very successful event to celebrate 250th anniversary of Robert Burns’ birth. Tell us how the contributors were chosen and what else has been planned this year for this anniversary?

We wanted to offer an even better Burns event than that held the previous year. At first we hoped we could get the noted Marxist literary critic and writer Terry Eagleton to speak, but he could not make it. John McAllion stepped in and spoke tremendously well about the link between Burns’ art and his radical commitment in the 1790’s. The ever popular, Vladimir McTavish provided the comedy, whilst we had great musical sessions from the young black American jazz player, William Young, and from Edinburgh’s rising singer songwriter, David Ferrard.

We have also received money from the Lipman Milliband Foundation to produce a pamphlet later this year, What Robert Burns Means To Me.

You have a particular interest in the Scottish artist, Alexander Naysmith. What plans have you for the EPF to bring Naysmith to people’s attention?

Alexander Naysmith is known to everyone but they perhaps don’t realise it, he painted the most famous portrait of Burns. Like Burns, Naysmith was a radical and was blacklisted for his views. He began life as an apprentice coach painter in the Grassmarket before becoming a very successful portrait artist, possibly Scotland’s best, studying under Allan Ramsay, and working in Paris and Milan. But the big mystery about Naysmith is why he suddenly changed to landscape painting apparently at the height of his career. None of the art books will say why, but I know why and actually so do they. It was his politics. His wealthy patrons refused to give him any commissions because he made no secret of his radical republican views. He talked with great passion on the American and French Revolutions during the long portrait sittings. So, under advice from no less a figure than his close friend and ally Robert Burns he took up landscape painting instead. He rose to equal heights in this genre too.

Naysmith was a close friend and collaborator of Burns and out lived the poet by 40 years. He was one of us. And I want the People’s Festival to recognise one of Edinburgh’s people, to organise an exhibition, this August, in the Craigmillar Arts Space, with Naysmith’s portrait of Burns at its centre. We want to make Naysmith’s work and life more widely known. We display work by new artists inspired by him.

Angus Calder is another important writer, who has recently died, associated with Edinburgh. Are there any plans to organise an event celebrating Angus?

There was recently a memorial event for Angus, which I was unable to attend. Angus made many contributions to history and culture and was himself an award-winning poet. He was a member of the SSP and I got to know him quite well. He was a generous and strong supporter of the People’s Festival. I can still remember his contribution at The Flyting we organised in Wester Hailes in 2003. The idea was to revive the great Scottish tradition of cultural polemic, much associated with Hugh MacDiarmid and others, once again largely centred on this city.

The EPF would like to work with others to get more commemorative events organised. We don’t want to take responsibility for everything and I think that’s the best way forward with Angus’s work.

Recently Patrick Scott Hogg asked us if we could organise something to celebrate the great Scottish radical, Thomas Muir. The EPF thought it would be more appropriate that this was done in a West of Scotland setting.

One of Edinburgh’s most controversial figures has been James Connolly. Do you see the EPF trying to reclaim this great socialist republican for Edinburgh?

One of the members of our Committee is Jim Slaven who is well known in the city as organiser of the James Connolly Society. Jim played a key role, in the face of strong opposition, in trying to get Connolly’s legacy recognised in this city. Last August, we hoped to get Terry Eagleton up to speak. This may still happen.

However, in June, Jim was successful in getting the City of Edinburgh Council to organise a one-day event, to coincide with Connolly’s birthday. The event, Over the Water, had speakers from Ireland and Scotland. This June, the EPF hopes to organise a Connolly event in the evening, after the day’s official events. Connolly is very much one of our people and we feel he should be supported by all on the Left especially.

What else has the EPF got organised for this coming year.

We have worked with others, particularly on the Trades Council, in re-establishing May Day in this city. Last year we had Aida Avila from Colombia, Sean Milne, the radical journalist, and Pat Arrowsmith, veteran CND activist, amongst others, as speakers. This year we have Mark Lyons, convenor of the UNITE branch at Grangemouth Refinery, Hilary Wainright, editor of Red Pepper and Matt Wrack from the FBU joining us. We hope to give pride of place to Aleida Guevara, Che Guevara’s daugher, in celebrating 50 years of the Cuban Revolution.

We are also putting on a 20 years after the Poll Tax exhibition, which will concentrate on the role local people and communities played here in defeating this hated measure. The fightback started in Edinburgh, and included such veterans of the struggle as Sadie Rooney, one-time Labour councillor for Prestonfield – until she saw sense!

We also hope to bring a piece of theatre from London’s West End would you believe. The EPF’s producer Barry Fowler is going down to attend the London premiere of Maggie’s End written by Ed Waugh and Trevor Wood in the Shaw Theatre. The play is about the reaction of mining communities in the North East of England to the announcement of Thatcher’s death. Just the job, eh!

It would be great if we could put this on as our first full theatrical production. Even better, if our showing of Maggie’s End coincided with Thatcher’s actual demise!

What event would you like more than any other to put on the EPF?

Along with the photographer, Craig Maclean, I have often discussed the possibility of putting on some free ‘Outdoor Cinema’. Craig and Rob Hoon (from Out of the Blue) have already experimented with projecting huge images on prominent city landmarks. I certainly think the EPF should remain ‘dangerous and challenging’. I like the idea of guerrilla cinema as agitprop!

Edinburgh People’s Festival website

Those who can make you believe absurdities can make you commit atrocities.

—Voltaire

The government of the United States had a major problem. It was April 1917, and on the sixth day of that month, eager to get into the First World War, they declared war on Germany.

Their big problem was this.

Although the American government was up for a fight, the American public was steadfastly pacifist. They saw the war in Europe as just that, a European war, nothing for them to get themselves involved in. Something clearly had to be done to get the population of the United States into a more warlike frame of mind.

On April 13, 1917, president Woodrow Wilson set up the Committee for Public Information, or the Creel Commission as it came to be known. The commission was headed by George Creel, a well-known muckraking journalist, the other formal members being the secretaries of war, state and the navy.

With the Creel Commission’s arrival, modern wartime propaganda in the media age was born. Its aim was to turn pacifist America into a society thirsty for war, to make patriotism and hatred of all things German the noblest aim of every American citizen.

In this the Creel Commission was spectacularly successful. Within months of its formation the American public’s mind was filled with hatred for Germany, German immigrants, anything at all German.

How did the Creel Commission manage to engineer such a remarkable turnaround in public opinion in such a short timeframe?

Quite simply, the Creel Commission understood how to use the media that was available to them (radio, telegraph, films, newspapers, &c.), and harnessed it to change public opinion, with appeals to patriotism and a huge disinformation campaign.

Blatant lies about German soldiers murdering babies and hoisting them up on their bayonets were spread, lies supplied by the British intelligence services, whose stated aim was to control the thoughts of the world (or more specifically at that time the thoughts of the influential intellectual and political classes of the United States). These lies were so powerful that they still persist to this day.

The Creel Commission distributed pamphlets, urging the public to keep an eye open for German spies and recruited the then fledgling Hollywood film industry to produce luridly titled films, such as To Hell with the Kaiser, The Claws of the Hun and The Kaiser, the Beast of Berlin.

The Four Minute Men

Telegraphs, cables, radio, all were employed to turn the American population against Germany and all things German, but Creel’s real master stroke was the creation of a group of orators who came to be known as The Four Minute Men.

June 5, 1917, was the date set when all males would have to register for the draft. Many feared a repeat of the draft riots of the Civil War (one of the causes of those riots being a provision whereby those able to afford three hundred dollars could pay a substitute to go and fight for them).

One month before draft registration George Creel unleashed the Four Minute Men on the American public. Their first subject was Universal Service by Selective Draft. In movie theatres the length and breadth of the United States a slide was shown announcing the appearance of the local Four Minute Man.

He would deliver a speech which was never longer than four minutes, a speech designed to stir patriotism and anti-German feeling in the audience.

Four Minute Men were usually local professional men possessed of good public speaking skills, and from May 12 to May 21, cinema audiences were harangued by 75,000 orators, promoting the idea hat in honour of future draftees, registration day should be treated as a festival of honour.

The Four Minute Men were spectacularly successful. On draft registration day, ten million men signed up, where only two months previously no one had wanted anything to do with a European war.

The Four Minute Men went on from this triumph to address their audiences on such topics as Why We Are Fighting and What Our Enemy Really Is. They spoke at lodge and labour union meetings, lumber camps and on Indian reservations.

They operated in 153 universities, there were even junior Four Minute Men who spoke in high schools. By the time the war was over they had given 755,190 speeches to a total of over 314 million Americans. They reached more than 11 million people a month and were the First World War’s most effective form of propaganda.

With the United States finally in the war, and with ever-growing rumblings of discontent and fears of revolution on the home front, the writing was on the wall for the German war effort.

When Germany finally surrendered in 1918, many people on both sides came to realise the huge part that propaganda and the Creel Commission had played in the German’s ultimate defeat, not least among them an Austrian corporal with a funny toothbrush moustache who was to learn the lessons of the Creel Commission well, indeed he was to learn them to devastating, truly devastating, effect.

Right up to the present day the lessons of the Creel Commission are evident whenever states have to convince their populations of the correctness of their decision to go to war, or their support for one side over another in some conflict in which they are not directly militarily involved.

Ruthless

In the very recent past we have seen the Israeli propaganda machine at its ruthless best, defending the Zionist state’s armed wing, the IDF, as it behaved in a manner which would have drawn admiring looks from any playground school bully.

Whenever Israel was challenged or in any way criticised on the enormity of its actions in Gaza, the stock answer on our television screens from a string of literate, media trained Israeli spokespersons was that Israel had the right to protect itself from rockets fired from Gaza.

The lack of questioning of the Israeli government’s party line by a supposedly free media in so-called Western democracies shames those newspapers, radio and TV stations which failed to do so. No reporters were allowed into Gaza and in the hugely compliant mainstream western media, few even bothered to ask the questions, What have you got to hide? or even, But why are Hamas firing rockets into Israel?

Barely anyone connected to the mainstream media explored or attempted to explain the history of the Palestinian conflict, and there was very little mention of the fact that since the Israeli withdrawal from Gaza in 2005 they have mounted what in mediaeval times would have been called a siege of that city.

And while many may disagree with Hamas they are the democratically elected ruling party in Gaza.

Shamefully biased

While there was no chance of Israel losing militarily, there was even less chance of them losing the propaganda war in the west, thanks to the shamefully biased coverage that the savage attack on Gaza received from the compliant BBC and western news channels and newspapers. (I consciously use the word attack and not war, because war hints at some level of comparable military ability.)

No one, however, should really be surprised by the BBC’s compliance. Its attitude toward the Palestinians during the attack was augmented soon after by its shocking and disgusting refusal to broadcast the aid appeal for Gaza, which brought it condemnation from all sides. The BBC pleaded protection of its independence and impartiality, but the corporation is not now, and never has been, a neutral organisation.

Even in its early days, in 1926, during the general strike, it would not allow Ramsay MacDonald the right of reply to Conservative prime minister Stanley Baldwin. Lord Reith, the BBC’s first director, outwardly gave the impression that he was keen to defend the corporation’s independence and impartiality from the intrusion of the state, but in reality he was prepared to block any views being aired which did not chime with those of Baldwin’s Tory government.

Bearing this in mind, the shockingly biased reporting we viewed on our screens should not leave anyone open-mouthed with astonishment. If a crude rocket fired from Gaza fell on an empty school in Israel, this would receive equal or better coverage than the fact that weapons using the latest technology were falling on occupied buildings filled with real people in Gaza.

Propaganda, it would appear, is not just about stirring up patriotic feelings and creating hatred for the enemy, it can also work at a very effective level for the state by promoting one side’s view in a conflict while largely ignoring the other’s. It can also be a powerful manipulator of perception by what it chooses to omit to tell us.

Not that Gaza is the only example of state propaganda at work in recent times. In the build-up to the invasion of Iraq in 2003 we were assured that Saddam Hussein had weapons of mass destruction; there were sexed up dossiers designed to scare us; the Iraqi people deserved democracy and not some tyrant ruling over them; and that we were just the people to deliver that democracy to them.

Of course Saddam Hussein was an evil tyrant, but he did not officially become so in the eyes of the West until he invaded Kuwait and threatened the flow of oil to the west. Up to that point he had been a puppet of the west, had even been armed by them, basically allowed to do what he wanted in his own little fiefdom.

When he gassed the Kurds at Halabja in 1988 it didn’t cause too much of a stir in the western media, but once he stepped out of his little box and into Kuwait he became the devil incarnate. Following the first Gulf War there followed a long period leading up to the second, in which sanctions and propaganda were the weapons of choice.

Fever pitch

In the year leading up to the invasion in 2003, the propaganda reached fever pitch. The gassing of the Kurds at Halabja went from an event which had been largely ignored and became a crime against humanity, and the alleged possession of weapons of mass destruction was high on the agenda as a reason for invasion as Saddam was demonised by his former friends.

Sexed up dossiers flew in the face of the evidence of the weapons inspectors who had quietly but effectively been disarming Iraq since the end of Saddam’s invasion of Kuwait. The propaganda machine went into overdrive, and yet, it didn’t quite succeed, as millions took to the streets around the world to demonstrate against and oppose the planned invasion.

But they went and did it anyway (which is fair comment on the kind of democracy that we live in, and by extension also the one which was planned for Iraq). Of course, no weapons of mass destruction were found, but Saddam was overthrown and Iraq got its democratic government. Oh, yes, and western companies did rather well out of the reconstruction of Iraq.

However, the fact that so many people opposed the war in Iraq demonstrates that even the most vehement state propaganda cannot fool all of the people all of the time. And despite the age of the embedded war reporter being upon us, where reporters are given guided tours of the battlefield rather than roaming free to report what they see, still the truth of the horrors of war, and the things done in our name, occasionally seeps through.

Remember the pictures from Abu Graibh of the torture taking place there? Or the iconic picture of the little Vietnamese girl horribly burned by napalm fleeing her village? Or Seymour Hersh’s uncovering of the My Lai massacre in Vietnam?

Hersh was not actually in Vietnam, but uncovered the story by following a trail of rumour and stories around the United States. Which can only leave you wondering what the huge press corp actually in Vietnam were doing to fill in their time.

Even now, we are living through a time of war time propaganda, as our liberties are curtailed and the state places us all under increasing surveillance, all necessary, we are told, if we are to win the War on Terror.

As socialists, we understand that to win the current war on terror is actually quite easy, it’s just a matter of stopping invading other countries to plunder their resources. By making others feel more secure we thus increase our own security, it’s that simple. Resources thus saved could be used to fight the real wars on terror, such as the terror of the elderly, living on pittance pensions, having to choose between eating or heating their homes in winter.

However, I digress.

From the Creel Commission to the War on Terror, state wartime propaganda has tried, through various mechanisms and with varying degrees of success, to unite populations behind the state’s view.

Ironically, however, a side effect of the creation of the Creel Commission was to have devastating consequences for the left in the United States.

During the First World War, in the States, nearly nine million people worked in war industries and a further four million were in the armed forces. When the war ended, economic difficulties and labour unrest rose to the surface as war industries were left without contracts, leading to many being made redundant.

There were two main union/socialist groups in the United States at that time—The Industrial Workers of the World (the IWW or Wobblies), led by Bill Haywood, and the Socialist Party, led by Eugene Debs.

The Russian Revolution was still fresh in many minds and there was a widespread paranoia regarding anarchists, communists, socialists and dissidents. Following a string of bombings by anarchists, America was beset by fear, in what was to become known as the Red Scare.

Because the IWW and the Socialist Party had both been outspoken objectors to the war, this made them unpatriotic in the minds of much of the American population, and to be even loosely associated with them would arouse suspicion.

A shipyard strike followed by a general strike in Seattle in 1919 was wrongly attributed to the IWW. Charges that they were inciting revolution were levelled against them. Newspaper headlines across the country urged that the strike be put down. The mayor of Seattle guaranteed the city’s safety by announcing that 1500 police and the same number of troops were available to him to break the strike. The strikers, fearing they couldn’t succeed, and might damage the labour movement, called off the strike.

Demonised

All strikes in the next six months were demonised in the press as plots to establish communism, conspiracies against the government and crimes against society.

May Day rallies in 1919 in Boston, New York and Cleveland ended in riots and on June 2 another multi-state bomb plot was uncovered, all leading to an increase in tension, in which workers who went on strike were seen as enemies and fair game for persecution.

The Boston Police went on strike in September, as did the steel workers in a nationwide strike a few weeks later. The Boston police were sacked and replaced, and the steel strike ended without the workers getting any of their demands.

Strikers were branded red and unpatriotic as a general state of hysteria swept the nation. Colleges were seen as hotbeds of revolution and current or prior membership of a leftist organisation led to many secondary school teachers being dismissed.

The Justice Department formed the General Intelligence (or anti-radical) Division of the Bureau of Investigation. It compiled 200,000 cards in a filing system detailing radical organisations, individuals and case histories nationwide.

Thousands of alleged radicals were deported or imprisoned. Counsel was often denied, they were not allowed contact with the outside world and they were often beaten and held in inhumane conditions. (So, Guantanamo was nothing new in America’s history!)

On January 2, 1920, in 33 cities across the United States, more than 4000 supposed radicals were arrested. The New York legislature expelled five socialist assemblymen and 32 states passed laws making it illegal to fly the red flag.

Eventually, saner heads prevailed. Twelve eminent lawyers published a report detailing and condemning the Justice Department’s abuse of civil liberties. The decision to bar the socialist assemblymen was treated with disgust by newspapers and many prominent politicians of the day.

Newspapers came out against proposed anti-sedition bills, in which they saw the seeds of censorship, and business leaders realised that deporting immigrants (many of whom were wrongly branded communist) was leading to the loss of cheap labour. Finally, the Red Scare fizzled out.

Before it did so, however, the propaganda techniques created by the Creel Commission in wartime had extended its tentacles into peace time and dealt a major blow to the left in the United States.

It also gave birth to the modern day public relations business which, with its agenda of controlling the public mind, has never looked kindly on the left, neither in peace time nor in time of war. But it has never been able to quite kill the left off, either.

It should not be forgotten that around the time the Creel Commission was inciting a pacifist population to war that, on the other side of the Atlantic, John McLean stood in the dock of the High Court in Edinburgh on May 9, 1918, charged with incitement to mutiny and sedition, and uttered the unforgettable words, I stand here, then, not as the accused, but as the accuser of capitalism, dripping with blood from head to foot.

State propaganda may commit vast resources to induce their populations to approve of their military ventures, but by putting a socialist perspective on the facts we can always see through the lies and deceptions and shine a light on their darkness.

When the RCN used the image of the bare-breasted Liberty from the iconic Delacroix painting as a front cover for our pamphlet, Republicanism, Socialism and Democracy, this provoked a debate in the SSP. Catriona Grant, leading socialist feminist, and member of SSP Edinburgh no 2 branch contributes to the debate.

Why are Liberty’s breasts bared in Delacroix’s painting – Liberty Leading the People? A recent discussion in the SSP raged for a week or two whether Delacroix’s work of Liberty Leading the People was sexist. Is it revolutionary or sexist? Can it be both?

Eugene Delacroix’s Romantic painting of 1830 is probably Delacroix’s most famous work – the bare breasted and footed goddess warrior, triumphantly leading the Parisians with the tricolour in her hand to their ultimate goal for liberty, fraternity and equality! (Sisterhood was never mentioned).

Liberty Leading the People commemorates the July Revolution of 1830 in France, which toppled the Emperor Charles X, a generation or so after the French Revolution. In the painting, Liberty leads the people over the bodies of the fallen. Stridently and encouragingly she holds up the tricolour of the French Revolution in one hand and brandishes a bayonet in the other, the dead being her pedestal, her plinth to declare the revolution – they are victorious.

Why does Liberty in the painting have her breasts on show? Does it matter? Did her dress fall off her shoulders by accident or was she just tardy in her dress? Traditionally, in Romantic paintings, this meant that she was not like other bourgeois, proletariat or peasant women, but having her breasts on show indicated power and even supernatural strength. The bare breasted lady is indeed not a lady at all but a symbol personified by Marianne – a French goddess-like figure and “robust woman of the people”. She symbolises the French Republic. Liberty in Delacroix’s painting is no ordinary woman – she is a revolutionary goddess! She is a goddess-like warrior, who symbolises the Revolution and the Republic, and not a depiction of women’s status in society of the time. This painting pre-dates Impressionists, who recorded what they saw, rather than depicting symbols in a romantic way. Would it have been possible to paint a French mortal woman in this stance? At this time probably not. Only a symbolic woman could have such a role in a piece of historic propaganda rather than a real woman.

So is Delacroix sexist in his subject matter? Well, of course he is! In 1830, it would almost be impossible not to be sexist or patriarchal as the dominant society, even in revolutionary France, was sexist at this time, as was the rest of the Western World. However is the painting sexual and misogynistic? No, I don’t think it is. It’s subject matter is not about sex or sexuality but about the power of the revolution, the breasts are symbolic, not a pair of pneumatic boobs of a ‘page three stunna’.

But what does this painting stand for – is it a revolutionary painting, or an excuse just to see another pair of breasts in a gallery alongside hundreds, even thousands, of other pairs of breasts? As the Guerrilla Girls tell us, only 3% of the paintings in the Metropolitan Museum, in New York, are by women, and of the paintings of women, 83% of them are naked – this is replicated all over the world in art galleries. Women have been objectified over the centuries and so have their body parts, Delacroix is not a feminist but a bourgeois 19th century painter capturing the mood and propagandising the only way he knows how – through Romantic imagery.

Who was Delacroix and why did he paint this picture?

Ferdinand Victor Eugene Delacroix was born on April 26, 1798. He was the son of the ambassador of the French Republic to Holland. His father had been very active during the revolution. Despite his parents dying when he was a little boy, he would be very aware of the revolution and the terror that reigned afterwards.

He began to paint at age of 17. He was hugely influenced by the Romanticist period of painting and later went on to influence the Impressionist movement, particularly Cezanne and Picasso, who copied his paintings. Romantic paintings are paintings, depictions of fantasy, and an expression of feeling – of love, of fear, of desire and even, of revolution. They are emotional paintings not paintings of reason, or of fact.

In 1830, Delacroix watched the fighting in central Paris alongside his friend and fellow painter Eugene Lami. This fighting had erupted not far from their studio. Delacroix was not a participant but a spectator. He wrote to his brother, Since I have not fought and conquered for the fatherland I can at least paint on its behalf. That’s why he painted
Liberty Leading the People.

Liberty Leading the People is sort of a political poster, it’s the ‘No Poll Tax’ poster of its time. It marks the day when the people rose and dethroned the Bourbon King.

Delacroix made a number of sketches. They contained street fighters, individually and in groups. He decided to construct his artwork around the allegorical female representing Liberty. This was a daring concept – having the bloodstained victims of an actual battle, setting a high-flown symbolic figure in the middle of the dirt and triumphant on the bodies, not of our victims, but of her comrades.

Liberty Leading the People is a two-dimensional painting. Delacroix uses linear perspective to give the effect of 3-dimensional space. He uses aerial perspective with the city in the back being smaller and the sky is blue and grey. The battle of July Revolution of 1830 is the subject matter. The meaning of the image, the content, is the people wanting liberty, and the battle the people went through to gain liberty. Liberty leads the people on. Delacroix uses these images to tell the story – looking at the painting you know that there is a victory, a triumph – even if you are not aware of the situation.

The focal point of this work is Liberty. The emphasis is on Liberty because she is the most important figure in the work. Liberty stands out more than the other figures because she is carrying the flag with bright colours of red, blue and white. According to people who know things about fine art, Liberty Leading the People is very much in scale and proportion. The art is in proportion because of the relationship between the parts to each other. No figure is larger than any other figure. An example is the young man to the right of Liberty. He is not larger than the older men to the left of Liberty. The figures are in scale because the figures are the normal or expected size. The shape (hands, arms, feet, torso, head) is all in the right scale to the actual bodily parts of a person.

Delacroix’s spirit is fully involved in its implementation of Liberty Leading the People. He executes the work with the heroic poses of the people fighting for liberty, the outstretched figure of Liberty, the dead figures, and the attitudes of the people following Liberty. Delacroix has given this painting a sense of full participation, no one is passive in the painting. This work has been called the first overtly political work of modern painting.

Shown at the Salon of 1831, the painting was understood in various ways and caused quite an uproar. Working class, a fishwife, and a whore is what the figure of Liberty was called by Outraged of Paris. Critics said that the painting was a slander of the five glorious days, that Liberty was ignoble, and that the insurgents represented a rude class of people, urchins and workmen. The newly blossoming bourgeoisie was shocked by the painting – it was seen as crude and unnecessary.

Liberty’s breasts were seen as shocking, despite the fact the majority of Romantic paintings depicted naked women or semi-naked women, because she was active and not passive. Her breasts, on show with her bare feet, indicate her power and strength as opposed to her sexuality – naked or semi naked women are usually reclining or surrounded by other women – rather, she is in an active stance of defiance surrounded by mortal men.

Women in the first French Revolution

But was it so impossible to depict a real woman involved in the revolution other than a fantasy warrior goddess? Did women not play a role in the French Revolutions? Women – working class and peasant women – have always played a political role. They were responsible for putting food on the table, and during times of hardship, such as famine, when bread was unavailable or expensive, women had traditionally marched to the civic centre to beseech the local government to ameliorate their misery. During the first French Revolution, this tradition would be followed, but with one new development. Parisian women no longer marched to the civic centre to petition the local magistrates, but rather they marched first to the royal palace itself. They sent their petitions directly to the king then, later, they marched to the national legislature. It was the women who rattled the gates demanding bread!

Women in France formed clubs and organised. They met together to learn how to become citizens of a great nation, rather than subjects of a king, and to press for specific legislation. These women wanted equality of rights within marriage, the right to divorce, extended rights of widows over property and of widowed mothers over their children, publicly guaranteed educational opportunities for girls (including vocational training for poor girls), public training, licensing, and support for midwives in all provinces, guaranteed right to employment, and the exclusion of men from specific traditionally-female professions, like dress-making.

In August 1791 the Declaration to the Rights of Man was made known by the National Assembly. In September 1791, National Assembly was replaced by a newly elected body, the Legislative Assembly, a constitutional monarchy. This prompted Olympe de Gouge, female revolutionary, to write the Declaration of the Rights of Women and the Citizeness (1791), possibly the best known tract on the rights of women from the period, as a response to the Declaration to the Rights of Man and its silence regarding women.

But the revolution did not deliver male suffrage never mind female suffrage – only men who paid a certain amount of taxes had a say and unemployment was rife. War against foreign forces who wanted to restore King Louis XVI’s power, the return of political instability and the resulting economic hardship, and their desires for sexual equality, all mobilised women once again to act collectively on their own behalf. This resulted in even more marches, more clubs, more petitions, and the increased use of the taxation populaire.

In 1793, the Society of Revolutionary Republican Women, created by sans-culotte women, lasted only six months, before it was shut down by authorities. These women were revolutionary, militant feminists! Advocating issues of interest to the radical middle class and the Parisian poor, such as penal reform, occupational training for girls, public morality, and economic reforms. At this time the Jacobins demanded, among other things, that all women wear the Revolutionary dress and cockade (a hat that indicated different factions). A law was duly passed to require all women to put on the proscribed articles and when the Républicaines-révolutionnaires tried to have the law enforced, market women rebelled and petitioned the Convention. The Convention seized their opportunity, dissolved the Society, and outlawed all women’s clubs and associations. The women were seen as anti-revolutionary and as traitors. A period of terror and barbarism reigned in France, but women still rebelled and organised. But by 1794, Olympe de Gouges had been guillotined. The people would not rise up again until 1830 (depicted by Delacroix – could Liberty be Olympe?).

Society of Revolutionary Republican Women Manifesto

The National Assembly, wishing to reform the greatest and most universal of abuses, and to repair the wrongs of a six-thousand-year-long injustice, has decreed and decrees as follows:

1. All the privileges of the male sex are entirely and irrevocably abolished throughout France;
2. The feminine sex will always enjoy the same liberty, advantages, rights, and honours as does the masculine sex;
3. The masculine gender [gendre masculine] will no longer be regarded, even grammatically, as the more noble gender, given that all genders, all sexes, and all beings should be and are equally noble;
4. That no one will henceforth insert in acts, contracts, obligations, etc., this clause, so common but so insulting for women: That the wife is authorized by her husband before those present, because in the household both parties should enjoy the same power and authority;
5. That wearing pants [la culotte] will no longer be the exclusive prerogative of the male sex, but each sex will have the right to wear them in turn;
6. When a soldier has, out of cowardice, compromised French honour, he will no longer be degraded as is the present custom, by making him wear women’s clothing; but as the two sexes are and must be equally honourable in the eyes of humanity, he will henceforth be punished by declaring his gender to be neuter;
7. All persons of the feminine sex must be admitted without exception to the district and departmental assemblies, elevated to municipal responsibilities and even as deputies to the National Assembly, when they fulfil the requirements set forth in the electoral laws. They will have both consultative and deliberative voices. . . .;
8. They can also be appointed as magistrates: there is no better way to reconcile the public with the courts of justice than to seat beauty and to see the graces presiding there;
9. The same applies to all positions, compensations, and military dignities. . .

We are told that Liberty is a symbol, however the women who in the 18th Century penned the above could easily have been Liberty. However they may have worn trousers and had their blousons tightly buttoned up (I would imagine).

For those worried about her breasts being on show forever or her catching cold, Liberty is properly attired by the time she appears as a giant statue guarding over Ellis Island in the US, this time her breasts are covered and instead of a tricolore she holds a torch of justice aloft her head.

Liberty has been printed on stamps and the 100 franc note, she remains a poster girl of the 20th and 21st century – featured on the front cover of the RCN’s Republican Communist magazine, Issue 1 and their pamphlet on republicanism, and on Eric Hobsbawm’s Age of Revolution. It is on the front cover of the band, Coldplay’s Viva la Vida album. Liberty Leading the People has inspired many over the decades and centuries.

Long live Liberty!

From Dornoch we moved further north
not as north as where she was born
but north enough to understand;
to understand her returning

She sat there beneath the sculpture
Of ‘The Emigrants’ at Helmsdale,
Moved by the woman looking back
To the strath that was once her home.

For she too had to leave here
To work in service or in shops;
She too, with some eighty years now,
Lived in the south and not the north

And these years have moved her to tears
And this woman brought them all back,
Yet she sits with son and daughter
Who marvel at her dignity.

Two highland ladies, one in bronze,
And the other in flesh that pains,
Bestow upon a changing world
Unchanging values that redeem.

This is taken from Jim’s latest book of poetry, Being Beneath the Moon. Available for £2.50 including. postage & packaging from Magdalene Press, 2, Carlton Street, Edinburgh, EH4 1NJ.

I wanted to write you a letter
my love,
a letter that would tell
of this desire
to see you
of this fear
of losing you
of this more than benevolence that I feel
of this indefinable ill that pursues me
of this yearning to which I live in total surrender…

I wanted to write you a letter
my love,
a letter of intimate secrets,
a letter of memories of you,
of you
of your lips red as henna
of your hair black as mud
of your eyes sweet as honey
of your breasts hard as wild orange
of your lynx gait
and of your caresses
such that I can find no better here…
I wanted to write you a letter
my love,
that would recall the days in our haunts
our nights lost in the long grass
that would recall the shade falling on us from the plum
trees
the moon filtering through the endless palm trees
that would recall the madness
of our passion
and the bitterness
of our separation…

I wanted to write you a letter
my love,
that you would not read without sighing
that you would hide from papa Bombo
that you would withhold from mama Kieza
that you would reread without the coldness
of forgetting
a letter to which in all Kilombo
no other would stand comparison…

I wanted to write you a letter
my love,
a letter that would be brought to you by the passing wind
a letter that the cashews and coffee trees
the hyenas and buffaloes
the alligators and grayling
could understand
so that if the wind should lose it on the way
the beasts and plants
with pity for our sharp suffering
from song to song
lament to lament
gabble to gabble
would bring you pure and hot
the burning words
the sorrowful words of the letter
I wanted to write to you my love…

I wanted to write you a letter…

But oh my love, I cannot understand
why it is, why it is, why it is, my dear
that you cannot read
and I – Oh the hopelessness! – cannot write!