As the official celebrations and the unofficial commemorations of the centenary of the First World War continue, many personal accounts, poems and novels written about this period have been published or republished. One novel, not yet republished, is Return of the Brute, written by Liam O’Flaherty. David Trotter, in The Cambridge Companion to The Literature of the First World War, argues that, unlike most British war novels, it was written by an author of proletarian origin. Whilst O’Flaherty was Irish, Trotter is right in considering Return of the Brute to be a British war novel. It is based upon the author’s experiences fighting in the British army on the western front. The novel “intended to do justice to the brute’s point of view” [1], where the “brute” stands for working-class soldiers. If so, the “brute” refers to atomised, alienated and demoralised workers, brutalised by life on the western front.
Continue reading “BEFORE AND AFTER THE ‘RETURN OF THE BRUTE’”
